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Fahrenheit 451 (1966 film)
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Everything about Fahrenheit 451 1966 Film totally explained

Fahrenheit 451 is a 1966 film of a dystopian future, based on the novel of the same name by Ray Bradbury.
   According to Bradbury the novel isn't about speech, but is a story about how television destroys interest in reading literature. The central character, Guy Montag, is employed as a "fireman" (which, in this case, means "book burner"). 451 degrees Fahrenheit (about 233°C) is stated as "?The temperature at which book-paper catches fire, and burns ...". It was directed by François Truffaut, his only English-language film.
   The film starred Oskar Werner as Montag and Julie Christie who was nominated for a BAFTA Award for Best Actress in a Leading Role award for the dual roles of Linda (Mildred) Montag and Clarisse; having long red and short blonde hair respectively and being photographed through different coloured filters. Funding for the film became available when both Christie and Werner, both in popular films at the time, became interested in the project.
   The movie differed somewhat from the novel.
  • Clarisse survives throughout the film and accompanies Montag when he leaves the city.
  • The role played by Faber is reduced significantly, appearing only briefly in one scene as an old man who is searched for books in a park as the cinematography surrounds him with black borders.
  • The obsession with fast and often fatal driving that permeates the novel is nowhere in the film. Only three automobiles are seen in the film; a Jaguar S-Type, a Commer Imp van, and art director Syd Cain's red Excalibur roadster.
  • Bradbury has said that Truffaut "captured the soul and essence of the book," although he disliked the double omission of Faber and the Mechanical Hound.
  • Once Montag begins reading, the machines of his society (represented by the Mechanical Hound in the book) turn against him. In the film this is represented by his being unable to go up the fireman's pole and the door of his home no longer opening automatically.
  • The nuclear war in the book is absent, though one of Linda's friends talks about her husband being called up by the military.
  • The film adds a pursuit of Montag with James Bond type jet packs and an attack from a machine gun firing helicopter that's televised.
The film was Universal Pictures first European production that was followed by A Countess From Hong Kong.

Production

  • The film was shot at Pinewood Studios in England, with the monorail exterior scene taken at the French SAFEGE test track, in Châteneuf-sur-Loire near Orléans, France (since dismantled). The Alton housing estate in Roehampton, South London was also featured in the film.
  • Truffaut spoke virtually no English, but co-wrote the screenplay with Jean-Louis Ricard. Truffaut expressed disappointment with the often stilted and unnatural English-language dialogue. He was much happier with the version which was dubbed into French.
  • The production work was done in French.
  • To provide a taste of what life is like in a non-literate culture, the opening credits are spoken rather than being displayed in type.
  • The final scene of the Book People was filmed in a rare and unexpected snowstorm on the date of Julie Christie's birthday.
  • Tony Walton did costumes and production design whilst Syd Cain did art direction.

    List of works and authors mentioned

    Note: According to the book Bradbury: An Illustrated Life, neither Bradbury nor Truffaut chose the books that appear in the movie. The DVD commentary suggests that many or all of the books used came from Truffaut's personal library. One of the books, though barely visible, is Fahrenheit 451 itself.
  • Alice's Adventures in Wonderland and Through the Looking Glass by Lewis Carroll
  • Animal Farm by George Orwell
  • Arthur Schopenhauer
  • David Copperfield by Charles Dickens
  • Don Quixote by Miguel de Cervantes
  • Friedrich Nietzsche
  • Gulliver's Travels by Jonathan Swift
  • Jane Eyre by Charlotte Brontë
  • Leo Tolstoy
  • Lolita by Vladimir Nabokov
  • Madame Bovary by Gustave Flaubert
  • Mein Kampf by Adolf Hitler
  • Metaphysics by Aristotle
  • Moby-Dick by Herman Melville
  • Nadia
  • Othello by William Shakespeare
  • Pride and Prejudice by Jane Austen (volumes 1 and 2)
  • Republic by Plato
  • Robinson Crusoe by Daniel Defoe
  • The Adventures of Tom Sawyer by Mark Twain
  • The Brothers Karamazov by Fyodor Dostoyevsky
  • The Catcher in the Rye by J. D. Salinger
  • The Corsair by George Byron
  • The Good Life
  • The Martian Chronicles by Ray Bradbury
  • The Pickwick Papers by Charles Dickens
  • The Trial by Franz Kafka
  • Walt Whitman
  • William Faulkner
  • Wuthering Heights by Emily Brontë
  • Nineteen Eighty-Four by George Orwell
  • A History of Science & Technology
  • A Journal of the Plague Year by Daniel Defoe
  • A Year of Grace
  • Argos
  • Baby Doll
  • Cahiers du Cinéma
  • Christopher Landon
  • Confessions of an Irish Rebel by Brendan Behan
  • Death of a Dream
  • Death of a Ghost by Margaret Allingham
  • Death on Milestone Buttress by Glyn Carr
  • Decline and Fall by Evelyn Waugh
  • Las Deux Anglaises et le Continent by Henri-Pierre Roché
  • Dom Juan by Molière
  • Fathers and Sons by Ivan Turgenev
  • Gargantua and Pantagruel by François Rabelais
  • Gasparo Hauser (This is the book Montag takes in the film, as opposed to the Bible in the novel)
  • The Secrets of the Princess Cadignan by Honoré de Balzac (German, as Geheimnisse der Fürstin von Cadignan)
  • Gone with the Wind by Margaret Mitchell
  • Holy Deadlock by A. P. Herbert
  • The Hustler by Walter S. Tevis (a French version with the title In ze pocket is shown)
  • Inspector French and the Cheyne Mystery by Freeman Wills Crofts
  • Interglossa by Lancelot Hogben
  • Jazz
  • Jean Cocteau
  • Jeanne D'Arc by Joseph Delter
  • Journal of André Bulat
  • Journey into Space by Charles Chilton
  • Justine by Marquis de Sade
  • Le Avventure di Pinocchio by Carlo Collodi
  • Le Monde à Côté by Gyp
  • Les Nègres by Jean Genet
  • Lewis et Irène by Paul Morand
  • Look With Mother ABC Book
  • Marcel Proust
  • Marie Dubois by Jacques Audiberti
  • Memoirs of Saint Simon by Louis de Rouvroy
  • Metallurgy for Engineers
  • My Autobiography by Charles Chaplin
  • My Life and Loves by Frank Harris
  • My Life in Art by Constantin Stanislavski
  • Nest of Vipers by Tod Claymore
  • New Writing
  • Ninety Years Wiser
  • No Orchids for Miss Blandish by James Hadley Chase
  • Or Be the Deed
  • Our Nuclear Future
  • La Peau de Chagrin by Honoré de Balzac
  • Petrouchka by Igor Stravinsky
  • Plexus by Henry Miller
  • Raffles and Miss Blandish by George Orwell
  • Reappraisals of History
  • Rebus by Paul Gegauff
  • Roberte ce soir by Pierre Klossowski
  • Sanctuary
  • Sermons and Soda-Water by John O'Hara
  • She Might Have Been Queen by Geoffrey Bocca
  • Social Aspects of Disease by A. Leslie Banks
  • Spanish Crossword Puzzle Book
  • Swann's Way by Marcel Proust
  • Sweet Danger by Margaret Allingham
  • Tales of Mystery & Imagination by Edgar Allan Poe
  • The Bodley Head
  • The Castle on the Hill by Elizabeth Goudge
  • The Defeat of the Spanish Armada by Garrett Mattingly
  • The Ethics by Aristotle
  • The Evil of the Day by Thomas Sterling
  • The Ginger Man by J. P. Donleavy
  • The Good Soldier Schweik by Jaroslav Hašek
  • The Happy Prisoner by Monica Dickens
  • The History of Torture
  • The House of the Arrow by A. E. W. Mason
  • The Jason Murders by John Newton Chance
  • The Jewish Question by Jean-Paul Sartre
  • The Moon & Sixpence by W. Somerset Maugham
  • The Mystery of Jack the Ripper by Leonard Matters
  • The Owls' House by Crosbie Garstin
  • The Picture of Dorian Gray by Oscar Wilde
  • The Pilgrim's Progress by John Bunyan
  • The Prince by Niccolò Machiavelli
  • The Sittaford Mystery
  • The Thief's Journal by Jean Genet
  • The Voyage of the Dawn Treader by C.S. Lewis
  • "The Walrus and the Carpenter" by Lewis Carroll
  • The Weather by George Kimble & Raymond Bush
  • The White Friday Murders
  • The White Priory Murders
  • The World of Salvador Dali by Robert Descharnes
  • Their London Cousins by Lydia Miller Middleton
  • Vanity Fair by William Makepeace Thackeray
  • Waiting for Godot by Samuel Beckett
  • Weir of Hermiston by Robert Louis Stevenson
  • We're Still Using That Greasy MAD Stuff (a MAD Magazine compilation book of material from issues of the magazine)
  • Wreck of the Running Gate
  • Zazie dans le Métro by Raymond Queneau

    Music

    According to an introduction by Ray Bradbury to a CD of a rerecording of the film score by William Stromberg conducting the Moscow Symphony Orchestra Bradbury had suggested Bernard Herrmann to Truffaut. Bradbury had visited the set of Torn Curtain meeting both Alfred Hitchcock and Herrmann before Herrmann left the film. When Truffaut contacted Bradbury for a conference about his book, Bradbury recommended Herrmann as Bradbury knew Truffaut had written a detailed book about Hitchcock.
       When Herrmann met Truffaut he asked him why he was chosen over "modern" composers such as the director's friends Pierre Boulez or Karlheinz Stockhausen. Truffaut replied that "They'll give me music of the twentieth century, but you'll give me music of the twenty first!"
       Herrmann used a score of only string instruments, harp, xylophone, vibraphone, marimba, and glockenspiel. As with Torn Curtain, Herrmann refused the studio's request to do a title song.

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